About
Extensive research and practical experience in art and craftsmanship sparked my deep interest in jewellery.
During my undergraduate years, I dedicated myself to exploring the creative aspects of jewelry materials, concepts, and craftsmanship. I combine the unique physical characteristics of materials with cultural symbols to link the participant’s inner world to the external surroundings. In the “Zen Apparatus” project, I discovered that dynamically movable body installations could extend the participant’s perception and self-awareness, leading to a profound understanding of one’s existence. In “ the Standard Answers ” project, I designed an experiential process to reflect on the issues within the educational model I was part of. In the “Measurement ” project, I explored the unique textures of different materials and attempted to measure the subtle balance that might exist between objects and the consciousness and awareness of individuals, using dynamic equilibrium structures.
Studying at the Royal College of Art has allowed me to move beyond my previous creative path and re-examine the relationship between jewelry, craft, and materials. My research begins with the concept of human belief, focusing on religious objects and architecture, and explores the sensory experiences of the sublime and the subtle in an effort to materialize these abstract ideas. Throughout this process, I have been inspired by the philosophies of Jean Baudrillard and Lucretius, which led me to recognize the deep connection between belief and humanity’s curiosity about its origins. In my material explorations, I found that shells—with their unique textures and strong sense of time—serve as an ideal medium for contemplating the relationship between the fluidity of consciousness and the transformation of matter. Moving forward, I will continue to investigate the language of materials through hands-on practice, aiming to deepen my understanding of how objects and awareness interact.