About
As a contemporary curator training at the Royal College of Art, my practice is rooted in a critical engagement with institutional structures and spatial perception. I am particularly interested in how contemporary art intervenes in complex issues such as colonial history, cultural hybridity, and the politics of nature, with a focus on marginal zones, ambiguous states, and “invisible structures” that are often overlooked.
In my curatorial approach, I emphasize curating as both a tool for relationship-building and a form of institutional critique. Through non-linear narratives, archival research, and spatial intervention, I seek to reposition the viewer’s perspective and enhance their sense of agency. I consider the exhibition not merely a format for presenting content, but a critical spatial language—capable of evoking resonance or discomfort, conveying meaning or disrupting order.
I continuously explore how curating can establish an open discursive space between visibility and being seen. My goal is not to provide answers, but to provoke questions; not to solidify structures, but to invite reflection on their very foundations.