About
As a multidisciplinary artist with a background in printmaking, ceramics, photography, and exhibition planning, my practice is rooted in material exploration, layered narrative, and the subtle tension between permanence and impermanence. Drawing from my academic training across Canada and the UK—including my current MA studies in Print at the Royal College of Art—I seek to create works that bridge traditional techniques with contemporary themes.
Printmaking, particularly relief and etching processes, allows me to investigate repetition, memory, and trace. I’m drawn to surfaces that carry history—paper, clay, textiles—materials that absorb and reflect both time and touch. Alongside these, my interest in spatial curation, developed through hands-on exhibition work, feeds into how I consider the viewer’s movement and interaction with artwork in space.
Recurring themes in my work include natural cycles, human fragility, and quiet resistance. Whether layering ink in a print or constructing forms in ceramic, I aim to slow down the act of looking—to invite reflection through texture, form, and negative space.
My creative process is deeply research-driven but equally intuitive, balancing conceptual clarity with visual subtlety. I believe in art’s power not only to question, but also to hold, to remember, and to connect. Through evolving methods and materials, I continue to explore how tactile experiences can speak to intangible emotional and environmental truths.